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Wowing Mathematicians and Artists Alike

Soon after graduating from Black Hills State, Dick Termes made a shift in his artwork that has wowed mathematicians and artists alike. Termes is internationally known for painting scenes onto spheres, known as “Termespheres.”

“As a study in perspective I was trying to get larger cameras like panorama photography to capture the view, and I realized what I wanted was the full picture – everything from one point in space swiveling around, above you, below you, and around you,” says Termes. “I put my six perspective points on a sphere, started projecting the lines and it just fit like a glove.”

Termes says that shift made him aware that he can take any cubical world and map it onto a sphere. He has since painted Termespheres of the Paris Opera, the Pantheon in Rome, Notre Dame, and St. Peter’s Cathedral, among many others. Termespheres are in permanent collections all over the world—from the Glasgow Science Centre and the Science Centre Singapore, to the Department of Mathematical Sciences at West Point Military Academy and Trinity College in Hartford, Conn.

Raised in Spearfish, Termes completed his bachelor’s in education from BHSU in 1964 and began his career as an art and biology teacher. He received a scholarship to complete his masters of fine arts at the Otis Art Institute in Los Angeles.

Termes returned to Spearfish in 1971 to teach art at BHSU. He says he loved spending time in the classroom helping aspiring artists reach their creative potential before committing to his art fulltime.

An outdoor art piece, the Clock Tower Termesphere, was installed on Hudson and Main Streets in Spearfish in 2017. In creating the piece, the artist turned to social media to ask residents what activities they liked to do in Spearfish. Termes incorporated many of the ideas in the Clock Tower Termesphere.

“Remember when you look at this sphere that conceptually you are inside the sphere looking out at the world around you. It helps to make it make sense,” says Termes.

Several spheres are on display at Termes’ alma mater. Wanda Bellman, BHSU professor emeritus, recently donated a second Teremesphere to BHSU. The first was “The Carrousel” and now the second one will also be installed at the David B. Miller Yellow Jacket Student Union called “Cubing the Sphere.” Termes completed a large sphere for the BHSU E.Y. Berry Library-Learning Center called “A Portrait of a College.”

Termes continues to live in his hometown of Spearfish, where he built The Termesphere Gallery in 1992. Earlier this month, Oprah Magazine recommended The Termesphere Gallery as The Must-Visit location in the state of South Dakota in their "50 Ways to Love Your Summer" article. His work has been noted in many other international publications illustrating concepts in art, math, psychology, optical illusions, and even economics.

Young artists and mathematicians in schools, libraries and museums are learning from Termes through his new “Up, Down and All Around” interactive art and geometry display. The traveling, hands-on display features different stations to explore drawing, perspective, and geometry, along with two and three- dimensional puzzles.

Termes’ next sphere will be a commissioned piece for a children’s museum in China.

Dakota Life - Dick Termes Transcript
SDPB Journalist #1
Perspective is a critical element in any piece of art, including the artists' point of view and how you as the audience perceives the work. Dick Termes artwork appears to occupy it's own space, without a begging and without an end. SDPB visited the 2014 South Dakota Hall of Fame inductee at his Spearfish art gallery.
SDPB Journalist #2
Before an artist places their brush to canvas, they must first edit their composition to fit on the plane before them. Richard Termes as been a painter for over 50 years. In the late 60s, he decided that the narrow scope that can occupy a flat canvas didn't fit his artistic vision. So, he adapted and became more well-rounded.
Dick Termes
And I didn't start painting on the sphere until 68-69, and that was- what led me to that was studying perspective and trying to advance. So that instead of just having a small little painting, I wanted the whole panoramic, but I wanted the panoramic around and up over the top too.
SDPB Journalist #2
When a Termes sphere is observed, it's difficult to wrap one's mind around what exactly you're looking at. How did Termes manage to form a scene around the face of a ball? To here it explained, it almost seems easy.
Dick Termes
Imagine you're standing in the middle of a junction in a road, and you look to the north and you see the road going off to vanishing point. That's one point. If you turn around and look at the same road, it goes off to vanishing point on the horizon behind you. That's two different points. Then the same road that is crossed by another road going east and west. So there's four points. A telephone pole that's running down the edge of the road, if you follow where it goes it actually projects to a point above your head and a point below your feet. All of them do all the way around you. So there's five and six point perspective. That's basically all there is to it, except you do it on the outside of a sphere and you have to imagine you're inside the sphere.
SDPB Journalist #2
Piece of cake, but to the onlooker, it is so much more. Michael Pangburn, director of the South Dakota Arts Council and known Termes since college, and has spent some time contemplating his work.
Michael Pangburn
I think that one of the things that Dick has done is he has- he has been able to combine this language of art and the language of math and make it mean something much bigger than either of those two things separately could be. If you look at a Termes sphere, it really isn't possible to find the beginning or the end of where the- where the work starts and where it ends. And it's sort of like the- these whole dimensions of time and space that collapse on each other. I don't really understand completely his six point perspective and all of the math formula behind it, but I really do think that the philosophy, that the knowledge that that sphere is based on really can tell us things about things much, much larger than that work itself.
SDPB Journalist #2
Richard Termes studied art education at Black Hills State and later pursued advanced degrees in LA. Galleries on either coast could offer a marker for Termes work, but he says he is most happy in the hills where he grew up, so he came home.
Dick Termes
The reason I came back here is this is home, you know. This is where I feel the best and I don't like city life. I like the country life and this has been perfect out here. So we build the gallery thinking, "Well, we're halfway between Los Angeles and New York", so it's a pretty good spot.
SDPB Journalist #2
That inspiration is on display in each of his groundbreaking pieces and it's what drives the exploration of new ideas.
Dick Termes
I love optical illusions and how things never are quite what you think they are. Surrealistic stuff, I love to see what's inside my head that I don't understand how it- where it comes from. That kind of stuff excites me. I was really trained to be a modern artist, and so doing realism was not something that I thought I should do or could do. When I started to see what the perspective could do with the realism, I thought, "Wow, I should try some of that." And it just, you know, it was harder because you have to think really differently when you're looking at a scene and then trying to apply it here- what you're seeing out here around you, you know. And then how do you turn and see the environment? And what do you do with the ball to keep up with that, you know? So it is quite difficult.
SDPB Journalist #2
It's a process that Termes has been exploring largely on his own, but he does take time to share his method with students of all ages in workshops. A native of South Dakota, he contributes much to the artistic landscape. Dick Termes is a 2014 inductee into the South Dakota Hall of Fame.
Michael Pangburn
You know, the South Dakota Arts Council was established in 1966. Prior to that, there wasn't a state arts agency and that- and state art agencies all around the nation sort of sprung up when the National Endowment for the Arts was established. And Dick has been involved in that whole South Dakota Arts Council public art movement almost from the beginning. I mean, I think that Dick has spent his whole career giving back to South Dakota, but I think that if you'll talk to Dick, he probably feels that he's gotten a lot from the state and he's really looking for ways to give back to the state that has really supported him.
Dick Termes
I've lived here all my life. I don't think I ever expected to get an honor from South Dakota itself, you know. I live here and I love South Dakota and I love the Black Hills, but I'm not like a South Dakota painter. I don't- very few, maybe four or five pieces I've done over the years that have to do with the environment here. Like I've- over the years I've told people I get a lot of credit from the math- mathematicians. They really love my work. And I say, "You know, I just want somebody to like me. If it happens to be mathematicians, cool. And now the arts world too is coming along pretty good, also. But to have South Dakota give you an honor, that's another whole kind of level, which is very, very cool.
Michael Pangburn
When I first met Dick, he was teaching at Black Hills State University, and he was still painting on flat canvases. So my earliest memories of him are not actually so much as an artist, but as a teacher. And how warm and approachable he was, and just what a- what a decent human being he is. And I think that's reflected in his artwork too, so it's been fun for me just to watch that whole- his whole concept grow over the years.
SDPB Journalist #2
Much like his canvas, the possibilities are endless. Artists have been creating illustrations on flat surfaces for thousands of years.
Dick Termes
And the difference between spherical geometry and flat geometry is like, immense. To me, it's almost like we could spend 2,000 years painting on spheres to get the amount of stuff that we've done on the flat.
SDPB Journalist #2
Termes has only been painting on the sphere for a few decades, so his work has just begun.

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